Walt Kowalski's house from Gran Torino (2008)

This is Walt Kowalski's house from the drama film Gran Torino (2008).

It is located at 238 Rhode Island Street in Highland Park, Michigan.

The character was portrayed by actor Clint Eastwood, who also directed and produced the movie.

Kowalski is a bad-tempered, racist retiree whose wife has recently passed away.

At the start of the film, an immigrant Hmong family moves into the house next door. This irks him, as he has a particular dislike for Asians due to his experiences in the Korean War.

As the story progresses, we get the sense that Kowalski's racism isn't really rooted in hatred. Instead, it is a symptom of his growing unease with the changing world around him. His wife of 50 years has died, and all of his old neighbors have either passed away or moved into retirement homes. Furthermore, his sons have families of their own and want very little to do with him.

He is now old, isolated, and surrounded by foreign cultures that he doesn't understand.

His outlook begins to change after a gang of Asian youths attacks Thao, the teenage Hmong boy who lives next door. After hearing the scuffle taking place on his lawn, Kowalski walks outside and points his M1 Garand rifle at the gang, forcing them to retreat.

The following day, he wakes up and learns that the local Hmong community considers him a hero. To show their respect, they have started leaving food, flowers, and other gifts outside his front door.

However, Kowalski, being the grumpy old man that he is, dislikes his new status and expresses his desire to be left alone.

Later, he feels compelled to intervene again after he sees a gang of youths harassing Thao's older sister, Sue Lor, on the sidewalk.

From that point on, he gradually begins to warm to his new neighbors. He even accepts Sue Lor's invitation to her family barbecue. During one scene, Sue Lor finds him sitting contently in the kitchen, surrounded by elderly Hmong women who are eagerly piling food onto his plate.

Following the party, Kowalski learns to get along with the local Hmong community. He also becomes a protective father figure to Thao.

This unlikely friendship sets up the rest of the film, as the Asian gangbangers that attacked Thao eventually come back for revenge.